Do Images Dream of Seeing? series of artwork investigating the nature of digital images and heir relation to the human world. 

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Do Images Dream of Seeing? is a visual thought experiment that tries to transfer posthuman ideas to the world of digital images. The resulting works – objects, photographs and installations – are the product of in-depth observation of photographic images and the assumption of their subjectivity, which allows them to undertake activities that exist independently of people’s ability to recognize, explore and understand them.

Imagine that digital images are living organisms that freely traverse the Internet. They reproduce, communicate with each other and adapt their digital bodies to the needs and expectations of the human observer. But what do they really want? Is Mitchell correct in writing that photographs desire to be observed? What do they dream of when there is no one  to see them? How do they rest? Does the visual environment have its own biology?

In the Image and Likeness, a model on a scale of 1:472 and UV print on a metal cube, 2017.

What Do Images Want? projection, 39:35 min (paraphrase of fragments from the Posthuman by Rosi Braidotti), 2017.

Updated Edition of The Story of Art by Gombrich, 12 pigment prints on photo rag, 26,5 x 36 cm and 26,5 x 69 cm, 2017.

Witek Orski's Photo, pigment print, Hahnemühle Photo Rag, dibond, 80 x 60 cm, Digigraphie Certificate, edition: 1/1, 2017.

Flashback. The first Image, C-print, 13 x 12 cm, 2017.

Tautological Objects, objects and prints in various sizes, exhibition view:  48 Gallery, TIFF Fotofestival, Wroclaw, Poland, 2017.