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	<title>magdalenazoledz</title>
	<link>https://magdalenazoledz.com</link>
	<description>magdalenazoledz</description>
	<pubDate>Fri, 24 Jan 2025 12:04:21 +0000</pubDate>
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		<title>PORTFOLIO</title>
				
		<link>https://magdalenazoledz.com/PORTFOLIO</link>

		<pubDate>Fri, 09 Apr 2021 16:21:35 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

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		<description>

︎︎︎&#38;nbsp;

&#38;nbsp;


	

Let’s have a chat!&#38;nbsp;👀️Drop me a message on magda.zoledz@gmail.com


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	<item>
		<title>Blurred Construction, 2022</title>
				
		<link>https://magdalenazoledz.com/Blurred-Construction-2022</link>

		<pubDate>Thu, 20 Oct 2022 16:33:19 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/Blurred-Construction-2022</guid>

		<description>
	︎︎︎

BLURRED CONSTRUCTION
	


	Solo show at Pawilon, Poznan, Poland 2022&#38;nbsp;
Works:
Grey Cristal, 3D animation in a loop (4’38’’), Music: Ernst Lima, Voice: Eurodanek (PL), 

David Blackmore (EN)


PrtScn, lightbox, 60 x 85 cm
 
	



An installation combining video and a lightbox, exploring the life of a screenshot navigating the crowded digital realm. Through a performative space of visual meanings, the artist invites viewers to imagine digital images existing autonomously, beyond human consent.










&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9001e5048a007ce34f95d09a5f39e8cf8a2914d3c2beb71a9f252c14da13477d/_DSC0429-web.jpg" data-mid="171319087" border="0"  src="https://freight.cargo.site/w/1000/i/9001e5048a007ce34f95d09a5f39e8cf8a2914d3c2beb71a9f252c14da13477d/_DSC0429-web.jpg" /&#62;
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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/64397138946d11462e0abce5f775fc922dd68a88ab1b6dff1b128044d248f63f/_DSC0416-web.jpg" data-mid="171319161" border="0"  src="https://freight.cargo.site/w/1000/i/64397138946d11462e0abce5f775fc922dd68a88ab1b6dff1b128044d248f63f/_DSC0416-web.jpg" /&#62;

Photo &#38;amp; video credit: Zachar
Szerstobitow


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		<title>Low Resolution, 2022</title>
				
		<link>https://magdalenazoledz.com/Low-Resolution-2022</link>

		<pubDate>Wed, 23 Feb 2022 11:57:57 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

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		<description>
	︎︎︎

LOW RESOLUTION

	

	A solo show curated by Agnieszka Dela-Kropiowska, Contemporary Art Gallery in Opole, Poland 2022.

	

Scroll down to read the curatorial text and see the list of artworks ︎︎︎







&#60;img width="5419" height="3613" width_o="5419" height_o="3613" data-src="https://freight.cargo.site/t/original/i/bfa445275ab6363164448634ac001a60aab09a4a01a458f9f69de6b583e89baa/2.jpg" data-mid="134434562" border="0"  src="https://freight.cargo.site/w/1000/i/bfa445275ab6363164448634ac001a60aab09a4a01a458f9f69de6b583e89baa/2.jpg" /&#62;
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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/857067f8643ef694da53ce98f760c81a3d5aa81805b7f797a3c3d1643e17886e/8.jpg" data-mid="134435037" border="0"  src="https://freight.cargo.site/w/1000/i/857067f8643ef694da53ce98f760c81a3d5aa81805b7f797a3c3d1643e17886e/8.jpg" /&#62;
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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/5941d7cfd194417bd994d4ff9e6fe70359367a7538e3e29397fdaf7130a0ea71/11.jpg" data-mid="134439610" border="0"  src="https://freight.cargo.site/w/1000/i/5941d7cfd194417bd994d4ff9e6fe70359367a7538e3e29397fdaf7130a0ea71/11.jpg" /&#62;
&#60;img width="1875" height="1080" width_o="1875" height_o="1080" data-src="https://freight.cargo.site/t/original/i/48f8092e17529438ef8246938205de90d78d1d35c93981bac066408db4f917e4/6.jpg" data-mid="134434880" border="0"  src="https://freight.cargo.site/w/1000/i/48f8092e17529438ef8246938205de90d78d1d35c93981bac066408db4f917e4/6.jpg" /&#62;
&#60;img width="1869" height="1080" width_o="1869" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e883cc449cdeb8b0eda6ff1b50bfb295cacb656c7989cba48ea34556ed47fcfa/7.jpg" data-mid="134435064" border="0"  src="https://freight.cargo.site/w/1000/i/e883cc449cdeb8b0eda6ff1b50bfb295cacb656c7989cba48ea34556ed47fcfa/7.jpg" /&#62;
&#60;img width="1875" height="1080" width_o="1875" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5e57602ef13ec0df4660a05dafa6a30295287ecbf676f29d92c98ae31117e715/8.jpg" data-mid="134434886" border="0"  src="https://freight.cargo.site/w/1000/i/5e57602ef13ec0df4660a05dafa6a30295287ecbf676f29d92c98ae31117e715/8.jpg" /&#62;
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&#60;img width="3413" height="1920" width_o="3413" height_o="1920" data-src="https://freight.cargo.site/t/original/i/85bfe6487320443d405058d9760325e9e06ac38cb57838c99f7a9f7bf28c03e4/22.jpg" data-mid="134436000" border="0"  src="https://freight.cargo.site/w/1000/i/85bfe6487320443d405058d9760325e9e06ac38cb57838c99f7a9f7bf28c03e4/22.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/335b0e025398476964b509bba8a1493a25614169669f2ce493c380af7cb27c4e/23.jpg" data-mid="134436002" border="0"  src="https://freight.cargo.site/w/1000/i/335b0e025398476964b509bba8a1493a25614169669f2ce493c380af7cb27c4e/23.jpg" /&#62;


&#60;img width="1920" height="1279" width_o="1920" height_o="1279" data-src="https://freight.cargo.site/t/original/i/ce955943a8909133d53f3550b4af20701325156ae3bcee831abf84223d9468ea/16.jpg" data-mid="134436253" border="0"  src="https://freight.cargo.site/w/1000/i/ce955943a8909133d53f3550b4af20701325156ae3bcee831abf84223d9468ea/16.jpg" /&#62;


&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/0a03909def67bf25538e5ebc2f7cc94c022b17065838c4c83521d8590c6b6ad4/15.jpg" data-mid="134439859" border="0"  src="https://freight.cargo.site/w/1000/i/0a03909def67bf25538e5ebc2f7cc94c022b17065838c4c83521d8590c6b6ad4/15.jpg" /&#62;
&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/425d179ce51b742bf2bb27b7495acc884aa8d91885b32dc4639c6bc7de8ebc46/24.jpg" data-mid="134437146" border="0"  src="https://freight.cargo.site/w/1000/i/425d179ce51b742bf2bb27b7495acc884aa8d91885b32dc4639c6bc7de8ebc46/24.jpg" /&#62;











	

Works:
You Are Only an Image to Me. III chapters: Virus, Prelude, Crocodile, video 11’11’’, in collaboration with a compositor Tomasz Litra, 2019-2022You Are Only an Image to Me, UV prints on aluminium, 200 x 100 cm &#38;amp; 100 x 65 cm, 2022Designate of the Word ‘Dog’ Is an Object of Which Truthfully Could Be Said That It is a Dog, UV print on a carpet metal cube 30 cm, 2015Blue Monolith, installataion (photograph wallpaper, mdf, prie-dieu, felt), 2022Mark as Unread, animation 3’30’’, 2019-2022(Post)photographies &#38;amp; animations from series 01, displayed on screens, 16:9, 2015-2022. Collaborations: main projection: music: Agata Knec; Cyan Pixel (video on a screen): 3D: Mateusz Bratkowski; music: Katarzyna Kalaniuk

Photo credits: Zachar
Szerstobitow





	

Curatorial text:The exhibition provides an overview of the artistic research performed by Magdalena Zoledz on the topic of post-photography – the “life of images” that is independent of the creator – and is an attempt to investigate the relation between the viewer and the work of art in the spirit of slow looking.Let us consider a hypothesis that images are an autonomous organic species co-evolving with another species – humankind. Images, in this case, become parasites that live inside the organisms of homo sapiens, multiplying through the ages and waiting for the right moment to break free. This would mean that the human being (the artist) is only their carrier – an incubator that enables them to grow alongside the changes taking place within the universe. Every so often, the parasitic species present in the artist's body break loose with a dramatic effect and become known as “works of art” [Mitchell, 2013].Functioning as a “living organism”, the image becomes a crucial constituent of posthumanist thought and post-photography, that creates hybrids and chimaeras, merges organisms, and separates the creator from its work, evoking the conviction of the independent functioning of works with their full background of desires, expectations and longings. Perhaps visual representations do not want to be interpreted, but only “experienced”. Possibly, they don’t want to be perfect in the broad sense of human aesthetic needs, and “low resolution” is the natural habitat in which they function. They may have no longings at all, but we are unable to establish this with full certainty... In line with the thinking of William J. Thomas Mitchell – What do pictures really want from us?In the 21st century, digital visual content is accused of taking over the world. Slogans such as “we live in a world of images” have become commonplace, as we no longer distinguish between reality and its image. Let us recall Jean Baudrillard’s theory [ Baudrillard , 2005] – in “hyperreality”, the image no longer points to its original but multiplies in the digital world as an autonomous entity, complete with its own growth dynamics, stand-alone potential to communicate with the audience, and an unlimited ability to reproduce (multiply). We are unable to separate the two worlds (the sign from reality, the simulacrum from prototype), but perhaps there is no longer any need for that.- Agnieszka Dela-Kropiowska
</description>
		
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	<item>
		<title>+Q NC Y duo show with Lou Jaworski, 2022</title>
				
		<link>https://magdalenazoledz.com/Q-NC-Y-duo-show-with-Lou-Jaworski-2022</link>

		<pubDate>Wed, 16 Feb 2022 19:55:38 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/Q-NC-Y-duo-show-with-Lou-Jaworski-2022</guid>

		<description>
	︎︎︎

+Q NC Y

	

	+Q NCY, a duo show with Lou Jaworski, Death of Man Gallery, hosted by Kamil#2, Warsaw, Poland, 2022
Works:


Lou Jaworski, Ω SUN linear, UV pigment print in halftonegrid on stainless steel mesh and aluminum, 154 x 116 cm, 2022&#38;nbsp;
Magdalena Zoledz, Untitled, steel cube &#38;amp; prints on foil, 30 cm high, 2021 
Lou Jaworski, Untitled, Hamburger Bahnhof 14.-17.09.2017, 4 egyptian cotton shirts with cnc carved graphite buttons, Performance at Hamburger Bahnhof, Berlin, 2017

Magdalena Zoledz, You Are Only an Image to Me, UV print on aluminum, 100 x 65 cm, 2022

Lou Jaworski, songs for space from the Presence Vinyl LP Series, 30,5 cm, Vinyl, Hardcover ⌀
box, Paper, Unique, 2022
Magdalena Zoledz, 01, UV print on interlining, 100 x 125 cm, 2014-2022








	





Inattentive frequencies are submerged in everything - both us and the things around live in a world of waves and vibrations. The sound of the sea, the singing of birds are rhythmicities: four, three two. This is the most ubiquitous range, presumably for all those entities that operate on the human scale. One Spanish artist has extended her sensorium with sensors connected to devices that record the movements of tectonic plates. For us, however, this spectrum of perception is inaccessible, we are only able to feel vibrations on a narrow scale while standing by the columns at a party, an earthquake, or a passing vehicle that sets the building we are in motion. These are unusual situations. Does this mean that the artist feels more every day thanks to the sensors? If the vibrations are constant, then maybe the brain has started to read them as noise that needs to be cancelled out. One of Lou Jaworski's works is about these very feelings, about the mind silencing external signals. On professional vinyl records, at the starting point of the gramophone needle, before the actual piece, silence is recorded - not absolute, but human, earthly (what do you think it is?). Magdalena Żołędź’s works are also about similar imperceptible waves, those which constitute the ubiquitous silence in the networked world that is barely visible to humans. They appear while constantly peering into the vibrating, humming pixels as the world around changes under the influence of the weather. The exhibition +Q NC Y is precisely about this.
- Kamil#2










&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/70a0255d8116a89ceb84c56c1c506f32edb44edd44dd320c169e22b4ea50d099/3.jpg" data-mid="133716151" border="0"  src="https://freight.cargo.site/w/1000/i/70a0255d8116a89ceb84c56c1c506f32edb44edd44dd320c169e22b4ea50d099/3.jpg" /&#62;
from left: Lou Jaworski,&#38;nbsp;Ω SUN linear, UV pigment print in halftonegrid on stainless steel mesh and aluminum, 154 x 116 cm, 2022; Magdalena Zoledz,&#38;nbsp;Untitled, steel cube &#38;amp; prints on foil, 30 cm high, 2021; Lou Jaworski, Untitled, Hamburger Bahnhof 14.-17.09.2017, 4 egyptian cotton shirts with cnc carved graphite buttons, Performance at Hamburger Bahnhof, Berlin, 2017.


&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/daf6e0a5bbcb9606b3778e64a8f034e4b6e987f81e3141fe7ea182ae49973919/2.jpg" data-mid="133716188" border="0"  src="https://freight.cargo.site/w/1000/i/daf6e0a5bbcb9606b3778e64a8f034e4b6e987f81e3141fe7ea182ae49973919/2.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4ce82e8cb3af011d93f4241bc96f237413544d93201069c51cd7ce8bba28560b/1.jpg" data-mid="133720349" border="0"  src="https://freight.cargo.site/w/1000/i/4ce82e8cb3af011d93f4241bc96f237413544d93201069c51cd7ce8bba28560b/1.jpg" /&#62;


Left: Magdalena Zoledz, Untitled, steel cube &#38;amp; prints on foil, 30 cm high, 2021; in the background:&#38;nbsp;

Lou Jaworski, Ω SUN linear, UV pigment print in halftonegrid on stainless steel mesh and aluminum, 154 x 116 cm, 2022. Right:&#38;nbsp;Lou Jaworski, songs for space from the Presence Vinyl LP Series, 30,5 cm, Vinyl, Hardcover ⌀
box, Paper, Unique, 2022; &#38;nbsp;


&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3d461d23be4395348359d05caa29b2f706f923ed7fd21b6c5c2f445ae87bcf21/Magdalena-od--z-serii-You-Are-Only-an-Image-to-Me--druk-UV-na-aluminium--100-x-65-cm--2022.jpg" data-mid="133716203" border="0"  src="https://freight.cargo.site/w/1000/i/3d461d23be4395348359d05caa29b2f706f923ed7fd21b6c5c2f445ae87bcf21/Magdalena-od--z-serii-You-Are-Only-an-Image-to-Me--druk-UV-na-aluminium--100-x-65-cm--2022.jpg" /&#62;
&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e440aba888b0bbc80c33a336870fbba4083143232f2b48996a002e91d2d670dd/4.jpg" data-mid="133716214" border="0"  src="https://freight.cargo.site/w/1000/i/e440aba888b0bbc80c33a336870fbba4083143232f2b48996a002e91d2d670dd/4.jpg" /&#62;
Magdalena Zoledz, You Are Only an Image to Me, UV print on aluminum, picture and detail, 100 x 65 cm, 2022

&#60;img width="1181" height="1574" width_o="1181" height_o="1574" data-src="https://freight.cargo.site/t/original/i/0ea310d194371fee95017394f4e4a7cdf432ac924107d03db47c0996582f8587/IMG-4421.jpg" data-mid="133719215" border="0"  src="https://freight.cargo.site/w/1000/i/0ea310d194371fee95017394f4e4a7cdf432ac924107d03db47c0996582f8587/IMG-4421.jpg" /&#62;
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Magdalena Zoledz, 01, UV print on interlining, 100 x 125 cm, picture &#38;amp; detail, 2014-2022</description>
		
	</item>
		
		
	<item>
		<title>An Image Dictated from the Outside, 2021</title>
				
		<link>https://magdalenazoledz.com/An-Image-Dictated-from-the-Outside-2021</link>

		<pubDate>Sat, 06 Nov 2021 14:40:54 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/An-Image-Dictated-from-the-Outside-2021</guid>

		<description>
	︎︎︎

AN IMAGE DICTATED FROM THE OUTSIDE
	

	A series post-photographs, video and two objects. The project was a collaboration with Agata Knec 


who designed music for the experience, 2021.



Works:
UV prints on black PCV hanging from the celling on steel rods (65x100, 80x100, 75x100 cm)
Video in a loop (30 sec)
Metal cube with adhesive vinyl print on it (h 30 cm)
Silicone black object with a speaker

Manifesto of the Post-photographic Image
Music composed by Agata Knec
 



	










The project was inspired by the early work of Krzysztof Bucki that focuses on formal experiments. Bucki was a painter who worked in Opole, Poland actively creating the Opole artistic community (from 1961). The exhibition is an attempt to reconstruct the issues that the artist dealt with - the methodology of creating images based on complex reasoning supported by maths. Zoledz relates these issues to the nature of digital photography and argues with the possibility of capturing an image with any methodology. From the analysis of Bucki's compositions, it is clear that it is not the aesthetic contemplation of geometric forms that inspires him, but scientific inquisitiveness, logic of thinking and mathematical speculation (Kowal, 1963).The exhibition was created thanks to the scholarship of the Marshal of the Opolskie Voivodeship "Marszałkowskie Talenty" and is co-founded by the Opolskie Voivodeship.&#38;nbsp;








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s




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Exhibition views: Galeria Pierwsze Piętro, Opole, Poland, 2021.</description>
		
	</item>
		
		
	<item>
		<title>The Rabbit Hole, 2021</title>
				
		<link>https://magdalenazoledz.com/The-Rabbit-Hole-2021</link>

		<pubDate>Fri, 11 Jun 2021 15:59:46 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/The-Rabbit-Hole-2021</guid>

		<description>
	︎︎︎

THE RABBIT HOLE
	

	The Rabbit Hole, an instalation including print on a clear adhesive vinyl (35 x 50 cm), speaker, 2021.

Text &#38;amp; concept: Magdalena Zoledz, music: Katarzyna Kalaniuk, speech synthesizer postproduction: Jakub Lemiszewski






The Rabbit Hole is an installation comprising two elements: a photograph depicting the essence of the online world inhabited by digital images, and an audio recording where digital images narrate the story of their secret lives.







	






Recording:








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&#60;img width="1428" height="2143" width_o="1428" height_o="2143" data-src="https://freight.cargo.site/t/original/i/db15e6ed2f3a8fa3aa0fe4e1ccc11327df6e01a651317147a9d1590be200c7f4/The-Rabbit-Hole-_-image-small.jpg" data-mid="111114045" border="0"  src="https://freight.cargo.site/w/1000/i/db15e6ed2f3a8fa3aa0fe4e1ccc11327df6e01a651317147a9d1590be200c7f4/The-Rabbit-Hole-_-image-small.jpg" /&#62;





Exhibition view: Contemporary Art Gallery in Opole, 2021.</description>
		
	</item>
		
		
	<item>
		<title>Vacant Dream State (Artbook), 2019</title>
				
		<link>https://magdalenazoledz.com/Vacant-Dream-State-Artbook-2019</link>

		<pubDate>Tue, 29 Mar 2022 20:21:10 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/Vacant-Dream-State-Artbook-2019</guid>

		<description>

︎︎︎





VACANT DREAM STATE




	A publication created in collaboration with 280a Artist Association, edition 200, 2019.



In addition to the book, I created a 16-page blue diary that was hidden in the heart of the book. 

Before the retreat, we were asked to read The Invention of Morel,&#38;nbsp; a novel by Argentine writer Adolfo Bioy Casares, and I was drawn to the character Faustine. To me, she symbolised a perfect copy that everyone falls in love with.

I decide to write a story about the island from Faustine’s perspective.

	
















Located on a green island covered by palm trees in the middle of the ocean, a group of artists tries to digitally archive its flora, fauna, and all its physical and metaphysical content in various medias. By constructing and collecting material on this island, they lose themselves in a fragmented narration which forms the non-linear reading of this collection. A link system in the book guides the reader through various possible story lines. The texts and image entries are an approach to define the island and all its (digital) content.




The narrative structure found in VACANT DREAM STATE is extended by an augmented video story, told in eight chapters [see the video below]. This parallel story line allows the reader to get closer insights into the idea of constructing and re-constructing nature, identity and reality within the island’s own organism. 

At the end of the book - in case there is one - the reader is left behind with the question wether or not our surrounded natural environment is something real or by something called real or are we already living in our own simulations.
txt by 280a Artist Association

Click here to learn more


︎︎︎








	
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&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/8e1f4f122925088b3081d11b90ff100034fd6a69186982ea5152e137127dbe86/5E7A7687.jpg" data-mid="142321151" border="0"  src="https://freight.cargo.site/w/1000/i/8e1f4f122925088b3081d11b90ff100034fd6a69186982ea5152e137127dbe86/5E7A7687.jpg" /&#62;
&#60;img width="2058" height="1496" width_o="2058" height_o="1496" data-src="https://freight.cargo.site/t/original/i/9ab4245fc82af97bf871643febf7317ed04b896c3f1ad1e9b118aa9f7e7043c6/1.jpg" data-mid="137953483" border="0"  src="https://freight.cargo.site/w/1000/i/9ab4245fc82af97bf871643febf7317ed04b896c3f1ad1e9b118aa9f7e7043c6/1.jpg" /&#62;

Video &#38;amp; photo: 

 Martin Bollati, 3D image: Phillip Pees</description>
		
	</item>
		
		
	<item>
		<title>Visual Reality, 2019</title>
				
		<link>https://magdalenazoledz.com/Visual-Reality-2019</link>

		<pubDate>Fri, 24 Jan 2025 11:41:24 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/Visual-Reality-2019</guid>

		<description>

︎︎︎







VISUAL REALITY. POST-INTERNET PHOTOGRAPHY




	My visual essay UNIVERSALS. PART I: ABSTRACTION IS NOT LYING. A TREATY ON THE LEMON AND OTHER ENTITIES (︎︎︎) was published in this publication that investigates post-internet photography. The publication was edited by Anita Osuch, Dagmara Bugaj, and Krystian Berlak, the Academy of Fine Arts in Lodz in Poland in 2016 (ISBN: 978-83-65403-25-4).


	Here you can explore the publication (English &#38;amp; Polish). My text is on page 128.&#38;nbsp; ︎︎︎






	

&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1ac98f8fe35cd150f3490b542f6e02b33072ae216fd5dc6fc2fb23b9455cddb4/DSC01042-copy.png" data-mid="225448921" border="0"  src="https://freight.cargo.site/w/1000/i/1ac98f8fe35cd150f3490b542f6e02b33072ae216fd5dc6fc2fb23b9455cddb4/DSC01042-copy.png" /&#62;


&#60;img width="729" height="809" width_o="729" height_o="809" data-src="https://freight.cargo.site/t/original/i/522ab152cae64251e199e09e0727aca5f4aedf8b6e3fee3728d47072a8183e4b/Capture.PNG" data-mid="225448944" border="0" data-scale="50" src="https://freight.cargo.site/w/729/i/522ab152cae64251e199e09e0727aca5f4aedf8b6e3fee3728d47072a8183e4b/Capture.PNG" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="761" height="858" width_o="761" height_o="858" data-src="https://freight.cargo.site/t/original/i/f499b4b692c31f73b1f7e3d412c52c5b603104b51c4b407323d930b061abcf31/2c.PNG" data-mid="225448953" border="0" data-scale="49" src="https://freight.cargo.site/w/761/i/f499b4b692c31f73b1f7e3d412c52c5b603104b51c4b407323d930b061abcf31/2c.PNG" /&#62;

Photo credit: Krystian Berlak</description>
		
	</item>
		
		
	<item>
		<title>Słownik pojęć postfotograficznych, 2024</title>
				
		<link>https://magdalenazoledz.com/Slownik-pojec-postfotograficznych-2024</link>

		<pubDate>Fri, 24 Jan 2025 12:04:21 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/Slownik-pojec-postfotograficznych-2024</guid>

		<description>

︎︎︎









NIEOSWOJONE POJĘCIA. SŁOWNIK POJĘĆ POSTFOTOGRAFICZNYCH






	

My text was published in Nieoswojone pojęcia. Słownik pojęć postfotograficznych, edited by Anita Osuch, Dagmara Bugaj, and Marek Domański, in 2024 (ISBN 9788367028264). This publication brings together a diverse group of artists and researchers to examine and expand upon the concept of post-photography. I was honoured to contribute a text that explores post-photography from the perspective of a ‘living organism.’



	Find out more (in Polish only)&#38;nbsp; ︎︎︎






	

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</description>
		
	</item>
		
		
	<item>
		<title>Faustine's Diary, 2019</title>
				
		<link>https://magdalenazoledz.com/Faustine-s-Diary-2019</link>

		<pubDate>Wed, 27 Jan 2021 14:51:46 +0000</pubDate>

		<dc:creator>magdalenazoledz</dc:creator>

		<guid isPermaLink="true">https://magdalenazoledz.com/Faustine-s-Diary-2019</guid>

		<description>

︎︎︎





FAUSTINE’S DIARY&#38;nbsp;




	




My contribution to the Vacant Dream State photobook created in 2019, was a 16-page blue diary hidden within the book.



	





During the artist retreat with 280a Artist Association on a secluded island, I explored how digital images could be part of the island’s natural environment. Before the retreat, we were asked to read The Invention of Morel,&#38;nbsp;
a novel by Argentine writer Adolfo Bioy Casares, and I was drawn to the character Faustine. To me, she symbolised a perfect copy that everyone falls in love with. For the Vacant Dream State publication, I wrote a story about the island from Faustine’s perspective.




Click here to find out more about 

Vacant Dream State self-published photobook by 280a Artist Association -&#38;gt;








	
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/5a631541c97e5a5d4cf7146e3d16dfaaa76b317e6ea214a160e189124b101cef/VACANT-I.jpg" data-mid="142321021" border="0"  src="https://freight.cargo.site/w/1000/i/5a631541c97e5a5d4cf7146e3d16dfaaa76b317e6ea214a160e189124b101cef/VACANT-I.jpg" /&#62;
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&#60;img width="2058" height="1496" width_o="2058" height_o="1496" data-src="https://freight.cargo.site/t/original/i/9ab4245fc82af97bf871643febf7317ed04b896c3f1ad1e9b118aa9f7e7043c6/1.jpg" data-mid="113748012" border="0" alt="Page No: 1" data-caption="Page No: 1" src="https://freight.cargo.site/w/1000/i/9ab4245fc82af97bf871643febf7317ed04b896c3f1ad1e9b118aa9f7e7043c6/1.jpg" /&#62;
&#60;img width="2058" height="1496" width_o="2058" height_o="1496" data-src="https://freight.cargo.site/t/original/i/64e10f72307125c986825723df75115a707b8942622730000b9821171dea891f/4.jpg" data-mid="96672411" border="0" alt="Page No: 6" data-caption="Page No: 6" src="https://freight.cargo.site/w/1000/i/64e10f72307125c986825723df75115a707b8942622730000b9821171dea891f/4.jpg" /&#62;

Let me know, if you would like to read the whole diary&#38;nbsp;👋️ Click here to contact me.&#38;nbsp; Photos: Martin Bollati</description>
		
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